Oblique Perspective —
by Martin Cooney

Description:

The angular nature of Oblique Perspectives signature cutout serves to neatly frame whatever imagery is captured within the boundaries of its rectangular walls and it is precisely this feature that gives the final piece of the 1314 Winter Collection its name for it is the framework of the sculpture that is offset at an oblique angle, and serves to take the viewer by surprise when, on circling the Oblique Perspective for the first time they are suddenly faced with an apparently framed picture when nothing of the sort seemed to present itself when viewed from either front or rear perspectives.