John Chamberlain Sculpture |
WashingtonPost Arts Post by Maura Judkis John Chamberlain, sculptor of crushed cars, diesJohn Chamberlain, whose hulking scrap-metal car sculptures blended pop art and abstract expressionism, died Wednesday at 84. Though Chamberlain experimented with several media, he is best known for his scrap-metal sculptures, which were often painted brightly and twisted into shapes that belied the sculpture's heft. As pop art, his work reflected America's car culture, but the neutrality of the objects also exhibited many of the tenets of minimalism, and his use of color followed abstract expressionism. Chamberlain's legacy eludes categorization, especially when his medium changes are taken into consideration. He experimented with a range of work from film to urethane foam. "One day something - some one thing - pops out at you, and you pick it up, and you take it over, and you put it somewhere else, and it fits. It's just the right thing at the right moment. You can do the same thing with words or with metal," Chamberlain once said, according to the Guggenheim. Several of his works are in the collection of the Hirshhorn Museum and Sculpture Garden, but none are currently on display. Chamberlain's 60-year career included exhibitions at the Venice Biennale and the Whitney Biennial, and his work is in the permanent collections of some of the world's most prominent modern art museums. A retrospective is scheduled for spring at the Guggenheim in New York. See an interview with Chamberlain - in which he advises people against becoming an artist like him - by Plum TV below: |
John Chamberlain, sculptor, artist, and all around interesting person. He made his place, thank the good lord for that. We can all make our places in space and/or life, after all we all take up space. In John's case, he just took up space in a differnet way. I truly enjoy some of the space he took for us all to enjoy! May his soul rest in peace. |
John Chamberlain, left, and Heiner Friedrich at the preview for "Dan Flavin:A Retrospective" at the National Gallery of Art in 2004. (By Melissa Cannarozzi for The Washington Post) |
"S," 1959 by John Chamberlain at the Hirshhorn Museum (Ser Amantio di Nicolao, Creative Commons license for Wikipedia) |
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